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“Let Him Go”: Effective, but uneven
Colin Lancaster
-
November 11, 2020
“A Life on Our Planet”: Attenborough’s powerful witness statement
Student films filled with Dr. Seuss, COVID and Jest: What I saw at Film Fest
A hallowed Halloween Classic: “Friday the 13th”
“Love’s Labour’s Lost”
French film “Cuties” is anything but cute
Dalayna Marji
-
October 21, 2020
1
Public Trust: In defense of public lands
Mo Martin
-
October 14, 2020
0
“Enola Holmes”: a whimsical return to Baker Street
Colin Lancaster
-
September 30, 2020
0
“The New Mutants” An awkward amalgam of a movie
Colin Lancaster
-
September 23, 2020
0
“Tenet:” a study in protagonists
Klemens Raab
-
September 16, 2020
1
The Breaker Boys’ debut
BeLynn Hollers
-
September 16, 2020
0
Album Review: Imploding the Mirage by The Killers
Grace Burleigh
-
September 9, 2020
0
“Project Power” a stylish, but vapid, experience
Colin Lancaster
-
September 2, 2020
0
“The Highwaymen” delivers a mostly satisfying slow-burn
Colin Lancaster
-
May 6, 2020
0
“Extraction:” an electric action flick
Colin Lancaster
-
April 30, 2020
0
“I Am Mother” skillfully achieves its ambitious aims
Colin Lancaster
-
April 22, 2020
0
“The King”: a periodically masterful drama
Colin Lancaster
-
April 13, 2020
0
“Quarantine” delivers scares as an effective but derivative thriller
Colin Lancaster
-
March 26, 2020
1
“Onward” treks right into our hearts
Colin Lancaster
-
March 11, 2020
0
“The Invisible Man” an ethereal horror-hit
Colin Lancaster
-
March 4, 2020
0
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